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Consequently, I have had the opportunity to learn a lot about Internet usability and interface design. I found that many the site critiques on the Quintus Flash Index could be traced back to basic usability design rules. Not a big surprise, but rather a very clear indication of the value of some of these rules. Usability may sound mystifying to some people, and some best-selling books may champion the obscurity of this subject, but there s really nothing too complex about it. Usability is the extent to which a system supports its users in completing their tasks efficiently, effectively, and satisfactorily which may also include the experience of aesthetic pleasure. On the Web, this leads to topics such as navigation, speed, clarity, and readability. The real trick about usability is the horrible task of letting it seep through in your design. Usability extremists call out for Web sites with barely any graphics, using only default browser fonts (and default colors), and certainly no plug-ins. But the fact is that Flash is one of the best design tools to effectively break most of those extreme rules of usability and in a very short time. This tutorial attempts to steer both beginning and experienced Flash designers toward a more responsible use of Flash.

It s always a good idea to give your customer an easy way to log out of your site. This destroys all the session variables associated with his login and ensures that his coworkers can t jump on his computer (right after he leaves for some coffee) and gain access to information they shouldn t have. Logging out a user in Dreamweaver is just a matter of one simple server behavior.

If having accurate current dates is important to the functionality of the Flash movie you are authoring, you can use a slightly more advanced technique to compare the value of the user s time to the time on a remote server. If you want to do this, you need to use some kind of server-side scripting together with an XML object, a LoadVars object (both discussed in 33), or Flash Remoting, discussed in 36.

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Note that InDesign comes with predefined styles; their names are enclosed in brackets, such as [Basic Text Frame] object style and the [Basic Paragraph] paragraph style. Adobe s rationale for these predefined styles is that at least one style should be defined so that if you delete all other styles, you still have a style that can be applied to items. Except for those named [None], you can modify these default styles just like any other style.

all the faces that compose the walk. The outside arcs of the walk will be clearly visible. Use the Select tool and hold Ctrl to create an additive selection. Try using the selection box to select the correct faces. Hidden Geometry must be toggled to visible for this work.

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PROCESS PROCESS Kerberos ticket Local ID Restricted proxy (4) Communication (5) Remote file access request Site C (Kerberos) Storage system GST-enabled GRAM server Authorize map to local ID access file Local ID Restricted proxy

If you test the image map rollover at this stage, you see the entire over graphic for every hotspot To achieve the rollover effect, each of the overLayers must be clipped All that is left to do now is assign the clipping values The clipping property of a layer essentially crops the visible portion of that layer Four values are used to define the clipped section: Left, Top, Right, and Bottom These values are pixel measurements relative to the upper-left corner of the layer Although you could bring your image into an image editor to find the measurements, you can, with a slight bit of trickiness, also get the measurements right from Dreamweaver To get the relative pixel values within a layer, I use another temporary layer drawn over my clipped area.

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